About

Micah Everett

Micah Everett is associate professor of music at the University of Mississippi.

All Content by Micah Everett

“Lovin’ on Jesus: A Concise History of Contemporary Worship” by Swee Hong Lim and Lester Ruth

“Lovin’ on Jesus: A Concise History of Contemporary Worship” by Swee Hong Lim and Lester Ruth

In Lovin’ on Jesus: A Concise History of Contemporary Worship, authors Swee Hong Lim and Lester Ruth offer a thorough, honest, and surprisingly non-polemical presentation of the development of contemporary worship practices. Rather than attempting to justify these practices or defend them against their detractors, the authors simply describe and explain certain post-1960 liturgical developments, […]

The Loneliness of Self-Righteousness

“The Beauty of the Lord: Theology as Aesthetics” by Jonathan King

As a teaching and performing musician seeking to carry out a secular vocation in a Christ-honoring manner, I have read multiple books whose authors have sought to expound and apply the teachings of Scripture in the areas of music, the arts more broadly, and aesthetics. To write such a volume is surely a difficult task, […]

Sola Media

“Music, Modernity, and God: Essays in Listening” by Jeremy Begbie

Jeremy Begbie, the Thomas A. Langford Research Professor of Theology at Duke Divinity School, is perhaps the foremost Christian thinker on the interactions between the arts, theology, and philosophy. Having trained extensively as both musician and theologian, he is uniquely qualified to discuss these interactions in a serious and fulsome way. Instead of addressing surface-level […]

Sola Media

Beside Still Water

Intercollegiate Studies Institute, 2015 224 pages (hardcover), $27.95 Americans living at the beginning of the twenty-first century enjoy unprecedented human freedom, or so we are told. We have myriad sources of entertainment and information available to us at the touch of a button, along with the means to pay for and the leisure time to […]

Sola Media

Bach: Music in the Castle of Heaven by John Eliot Gardiner

In the minds of Christians who appreciate classical music, whether as performers or simply as listeners, perhaps no figure so fully epitomizes what it means to be a “Christian composer” or a “Christian musician” as does Johann Sebastian Bach (1685-1750). While Lutherans can most legitimately claim Bach as their own’the composer was a part of […]

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